Photographs
Found in 30 Collections and/or Records:
Frick Art Reference Library Staff Research - Katherine McCook Knox Records
Frick Family Photographs
Henry Clay Frick (1849-1919) was a prominent industrialist and art collector. This collection consists of photographs, circa 1850s-1989 and undated, of Frick and his family, as well as images of their friends, relatives, and others. This collection also contains images of Frick family residences, travels both in the United States and abroad, and other locations associated with the family.
Frick New York Residence Construction Photo Album
Georgia, France, and England Album, 1910
Helen Clay Frick Papers, Series VI: Research Files on Jean Antoine Houdon
Helen Clay Frick Papers, Series VII: Frick Art Museum
Helen Clay Frick, daughter of industrialist and art collector Henry Clay Frick, founded the Frick Art Museum in Pittsburgh in 1970. These files document construction of the museum building, and events, publications, and programming during the early years of the institution.
Helen Clay Frick Papers, Series VIII: University of Pittsburgh Fine Arts Department Files
Helen Clay Frick (1888-1984), daughter of industrialist and art collector Henry Clay Frick, helped to establish the Fine Arts Department at the University of Pittsburgh in the 1920s, and was a major contributor to the Department through the mid-1960s. These files, including correspondence, printed material, notes, photographs, exhibition files, and architectural drawings, document Helen Clay Frick's support of the Department and her relationship with the University.
Helen Clay Frick Research Files on Italian Art
Howard M. Stoner Research Files on Albert Moore
Research files of Howard M. Stoner (1933-2017) on the painter Albert Moore (1841-1893). Files contain correspondence, photographic materials, notes, photocopies of scholarship on Moore, and Stoner's unpublished manuscript on the artist.
Images of Artists Collection
The international artists featured in this growing collection include painters, sculptors and muralists born in the nineteenth and twentieth centuries. Their images were captured by various photographers and printmakers in a variety of settings and portrait styles. Formats include cabinet cards, postcards, prints on paper, and photographs. Seven of the photographs were signed by the artists, four of which were personally addressed to Mrs. Adelaide Frick (wife of Henry Clay Frick).
