04. Manuscript Collections

Abstract The artist Sister Mary of the Compassion (1908-1977), formerly known as Constance Mary Rowe, created works in a wide range of media, including paintings, book illustrations, greeting and holy cards, silver and gold jewelry, mosaic reredos, and embroidered panels. Her works, both religious and secular, were often sold to support the Blue Chapel monastery, a Community of the Dominican Nuns of the Perpetual Rosary in Union City, N.J. The collection contains holy cards and greeting cards made by...

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Papers and research files of art historian and collector Alfred Moir (1924-2010), containing photographs, research notes, correspondence, writings, and documents relating to his personal art collection. Art collecting content emphasizes Old Master drawings, while research content focuses on Italian baroque art, particularly the work of Caravaggio and his followers.

Abstract Walter Gay (1856-1937) was an American painter known for his paintings of interiors. For the better part of his life, Gay lived in France, where he met and married heiress and fellow expatriate Matilda E. Travers (1855-1943). The bulk of this collection is formed by the diaries of Matilda Gay which provide detailed insight into the Gays' daily life as well as American expatriate life in France before, during, and after World War I. The collection also contains correspondence, photographs...

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Correspondence and other documentation relating to French nineteenth century artist, Antoine Vollon, his son, Alexis Vollon, and their peers.

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Research files of Howard M. Stoner (1933-2017) on the painter Albert Moore (1841-1893). Files contain correspondence, photographic materials, notes, photocopies of scholarship on Moore, and Stoner's unpublished manuscript on the artist.

Scope and Content Note A collection of approximately 25 letters from various artists received by the Frick Art Reference Library as gifts. The letters were received from different donors over the course of 70 years, and were gathered into a single collection of artists' letters. The artists are mainly nineteenth and early twentieth century. Subjects discussed in the letters are both personal and professional, including some references to the artists' works. The content of the letter is noted when possible; some...

Scope and Content Note

Collection consists of a detailed 380-page manuscript inventory of the 18 rooms comprising Valadier's workshop in Rome in 1810. The inventory includes tools and utensils of various trades, particularly silversmiths, founders, gilders, bronze workers, ébénistes, and hardstone gem engravers. Also lists raw materials, models, drawings, and completed works found in the workshop. Contents are arranged by room.

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Photographs depicting the design work of Rosamond Fulmer, including window displays and exhibitions for Hammer Galleries, the sale of the William Randolph Hearst collection at Gimbels Department Store in 1941, and the Washingtonia exhibition at the 1939 World’s Fair. Other materials include correspondence, press clippings on Hammer Galleries, and magazine articles written by Fulmer.

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Typescript photocopies of the English translations of the correspondence and diary of Rosalba Carriera (1675-1757), prominent Italian portrait artist. Originally in French and Italian, the documents were translated by Anna Kleinman. Collection also includes explanatory footnotes, biographical sketches of correspondents, and microfilm of the original documents.

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The American Art Association, a New York art gallery and auction house, was founded in 1883 by James F. Sutton, R. Austin Robertson, and Thomas E. Kirby. The records date from 1877-1924, but the bulk of the material documents a selection of auction sales run by the gallery from 1910 through 1923. The collection contains correspondence, approximately 1,000 photographs, handwritten and typed notes, fragments of a typed manuscript on the American Art Association, and printed material.