Box 9

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Regarding loan of Gainsborough's "Richard Brinsley Sheridan." Folder includes correspondence with Walter H. Siple and Marcella Rodgers.

Scope and Contents note Loan of fifteen paintings from Eagle Rock in 1942: Bellows: "Docks in Winter" Devis: "Sir Joshua Vanneck and His Family" Fuller: "Romany Girl" Gainsborough: "Richard Brinsley Sheridan" Goya: "Ascensio Julio" Guardi: " A View on the Grand Canal, Venice" Guardi: "Canal Scene, Venice" Guardi: "View on the Grand Canal" Hogarth: "Hon. John Hamilton" Lawrence: "La Marquise du...

Scope and Contents note Loan of paintings, furniture, rugs, bronzes, and porcelains from the collection at Eagle Rock. Paintings include: The following paintings at Fogg Art Museum 3 October 1932 to 23 September 1935: Guardi: "Canal Scene, Venice" (Bacon Collection) Goya: "Don Ascensio, El Pescadoret" Hoppner: "Princess Sophia" Devis: "Sir Joshua Vanneck and Family" ***At Springfield Museum, Springfield, Mass., October 1933 to 17 November 1933...

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Pictures chosen from Miss Frick's collection at Prides Crossing for exhibition at The Frick Collection [in 1935?]

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Includes loans to the Yale Center for British Art, Carnegie Mellon Museum, and New York University.

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Helen Clay Frick loaned two paintings to the exhibition "Bedford Collects": Giovanni di Paolo's "Nativity" and Konrad Witz's "Pieta." Includes correspondence with staff at The Frick Collection regarding environmental conditions at Feigen's gallery.

Scope and Contents note Concerns ten paintings loaned in 1938 and one painting in 1956. The 1938 loan consisted of the following: Guardi: "Canal Scene, Venice" (from the Bacon Collection) Goya: "Don Julio Ascensio, El Pescadoret" Devis: "Sir Joshua Vanneck and Family" Gainsborough: "Richard Brinsley Sheridan" Hogarth: "John Hamilton" Lawrence: "La Marquis de Blaizel" Bellows: "Docks...

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Loan of a Hogarth painting to an exhibition organized by Harold Woodbury Parsons.

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Includes correspodence with Fulvio Suvich, Italian Ambassador, requesting the loan of a painting from the school of Bernardo Daddi and one from Maetro Padovano. Helen Clay Frick cited the condition of the paintings as the reason for refusing the request.

Scope and Content Note

Includes response to Sol Bloom, Director General of the U.S. Constitution Sesquicentennial Commission. Helen Clay Frick cites political reasons for refusing to loan her Trumbull potrait of John Adams.